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At the scene of 'The Grime' 

By Sue Thompson








If it is a detailed account of Samuel Taylor Coleridge’s famous poem you are looking for, you’ll not find it in Theatrophy’s performance of “The Grime of the Ancient Mariner”.

The production, which wrapped up recently at The Institution comedy club, is a wildly amusing and engaging adaptation of the 16th century poet’s “The Rime of the Ancient Mariner”.

The production itself is simple – props are limited to a chair, a stuffed duck (a.k.a. “The Albatross”), a couple of small dolls and a rather impressive giant sea creature.

The play is in the late 16th century Italian style of The Commedia dell’arte, and the actors wear grotesque masks that cover the top half of their face, exposing only their mouths. The comedic style is extremely physical and quite outrageous.

We are first introduced to The Old Man, played by Troels Hagen Findsen, as he shuffles across the stage, turns to address the audience and embarks on what is sure to be a great tale of bold adventure. With a crash, he is shockingly interrupted as the plundering drama queen Captain Alred Bubblebath (Aron de Casmaker) and the whimsical and somewhat ditzy Madame (Gabrielle Houle) bound noisily onto the stage to enlighten us with their own amazing story. The interactions and interruptions continue, as the trio competes to command the audience’s attention.

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Published by: be smith designs. ISSN 1710-6788
Copyright © 2004 remains with individual contributors.

 

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